York: Document Publishing LLC, 2015.
Anon 2017 – Anon. «Clueless» to «Pretty Woman»: The Top Ten Fashion Films that Shaped Our Wardrobes // Hello! 2017. June 2. s.hellomagazine.com/fashion/1201502202449/the-top-10-iconic-fashion-moments-in-film/ (по состоянию на 18.09.2017).
Armstrong 1983–1984 – Armstrong D. Wiseman’s Model and the Documentary Project: Toward a Radical Film Practice // Film Quarterly. 1983–1984. 37 (2). P. 2–10.
Asa Rose 1986 – Asa Rose D. Frederick Wiseman Takes His Camera to the Races // The New York Times. 1986. June 1. www.nytimes.com/1986/06/01/movies/frederick-wiseman-takes-his-camera-to-the-races.html (по состоянию на 16.05.2015).
Assayas 1983 – Assayas O. La Publicité, point aveugle du cinema français // Cahiers du cinéma. 1983. September. P. 16–26.
Assayas & Anger 1999 – Assayas O., Anger K. Paris: Cahiers du cinéma, 1999.
Austerlitz 2007 – Austerlitz S. Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum, 2007.
Austin & de Jong 2008 – Austin T., de Jong W. (eds) Rethinking Documentary: New Perspectives, New Practices. Maidenhead: Open University Press, 2008.
Baby 1983 – Baby Y. Portrait de l’artiste // Le Monde. 1983. December 8. P. 29–30.
Barnes 2013 – Barnes B. Attention, Audience; Attention, Shoppers // The New York Times. 2013. April 29. Section C1.
Barthes 1967 – Barthes R. Le Système de la mode. Paris: Seuil, 1967.
Barthes 1987 – Barthes R. Incidents. Paris: Seuil, 1987.
Barthes 2002 – Barthes R. Cette vieille chose, l’art // Barthes R. (ed.) Oeuvres complètes, 1977–1980. Paris: Seuil, 2002. P. 1221–1226.
Barthes 2006 – Barthes R. The Language of Fashion / Transl. A. Stafford. London: Berg, 2006.
Bastien & Kapferer 2008 – Bastien V., Kapferer J.-N. Luxe Oblige. Paris: Eyrolles, 2008.
Beaton 2014 – Beaton C. The Glass of Fashion. New York: Rizzoli, 2014.
Bergé 2010 – Bergé P. Lettres à Yves. Paris: Gallimard, 2010.
Berger 2014 – Berger H. Autoportrait. Paris: Séguier, 2014.
Berra 2012 – Berra J. Lady Blue Shanghai: The Strange Case of David Lynch and Dior // Film, Fashion and Consumption. 2012. 1 (3). P. 233–250.
Black 2013 – Black P. Designed to Death: Tom Ford’s A Single Man // Film, Fashion & Consumption. 2013. 2 (1). P. 105–114.
Blouin 2001 – Blouin P. La Tentation du clip // Cahiers du cinéma. 2001. February. P. 50–51.
Bolter & Grusin 2000 – Bolter J.D., Grusin R. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 2000.
Bordwell 2002 – Bordwell D. Intensified Continuity: Visual Style in Contemporary American Film // Film Quarterly. 2002. 55 (3). P. 16–28.
Bourdieu 1984 – Bourdieu P. Questions de sociologie. Paris: Les Éditions de Minuit, 1984.
Bourdieu 1986 – Bourdieu P. L’ Illusion biographique // Actes de la recherche en sciences sociales. 1986. P. 69–72.
Bourdieu 1993 – Bourdieu P. Sociology in Question / Transl. R. Nice. London: Sage, 1993.
Bourdieu 2002 – Bourdieu P. But Who Created the Creators? // Tanner J. (ed.) The Sociology of Art: A Reader. London: Routledge, 2002. P. 96–105.
Bourdieu & Delsaut 1975 – Bourdieu P., Delsaut Y. Le Couturier et sa griffe: contribution à une théorie de la magie // Actes de la recherche en sciences sociales. 1975. 1. P. 7–36.
Bradford 2015 – Bradford J. Fashion Journalism. Abingdon: Routledge, 2015.
Bradshaw 2014 – Bradshaw P. The Smell of Us Review: Larry Clark’s Passionless Voyeur Flick // The Guardian. 2014. August 31. www.theguardian.com/film/2014/aug/31/larry-clark-the-smell-of-us-peter-bradshaw (по состоянию на 19.08.2017).
Breward 2003 – Breward C. Fashion. Oxford: Oxford University Press, 2003.
Breward 2016 – Breward C. The Suit: Form, Function and Style. London: Reaktion, 2016.
Bruno 1998 – Bruno G. Atlas of Emotion: Journeys in Art, Architecture and Film. London: Verso, 1998.
Bruno 2014 – Bruno G. Surface: Matters of Aesthetics, Materiality, and Media. Chicago: University of Chicago Press, 2014.
Bruzzi 1996 – Bruzzi S. F: Fashion // Sight and Sound. 1996. 6 (11). P. 24–28.
Bruzzi 1997 – Bruzzi S. Undressing Cinema: Clothing and Identity in the Movies. London: Routledge, 1997.
Bruzzi 2006 – Bruzzi S. New Documentary: A Critical Introduction. Abingdon: Routledge, 2006.
Bruzzi 2013 – Bruzzi S. The Performing Film-maker and the Acting Subject // Winston B. (ed.) The Documentary Film Book. London: BFI Publishing/Palgrave Macmillan, 2013. P. 48–58.
Campany 2008 – Campany D. Photography and Cinema. London: Reaktion, 2008.
Carlos 2016 – Carlos M. Beyoncé’s Fashion Transformations in Lemonade Are More Surreal Than Ever // Vogue. 2016. April 24. www.vogue.com/13429283/beyonce-lemonade-hbo-visual-album/ (по состоянию на 10.08.2017).
Caujolle 2017 – Caujolle C. Preface // Clark J. (ed.) Femininities – Guy Bourdin. Paris: Chloé and Idea Books, 2017. P. 10–11.
Charles-Roux 1974 – Charles-Roux E. L’ Irregulière ou mon itineraire Chanel. Paris: Grasset, 1974.
Chenoune 2013 – Chenoune F. Meeting in Paradise: Dresses, Flowers, and Women // Müller F. (ed.) Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior. New York: Rizzoli, 2013. P. 14–21.
Chitolina 2007 – Chitolina A. (ed.) Valentino Garavani. Una grande storia italiana (Valentino, une grande histoire italienne). Cologne: Taschen, 2007.
Church Gibson 2012 – Church Gibson P. Fashion and Celebrity Culture. London: Berg, 2012.
Church Gibson 2014 – Church Gibson P. Alistair O’Neill, Curator of the Exhibition «Guy Bourdin: Image Maker» Interviewed by Pamela Church Gibson // Film, Fashion and Consumption. 2014. 3 (2). P. 93–100.
Church Gibson 2017 – Church Gibson P. The Fashion Narratives of Tom Ford: Nocturnal Animals and Contemporary Cinema // Fashion Theory. 2017. 21 (6). P. 629–646.
Ciment 1971a – Ciment M. Connaissance par les gouffres // Positif. 1971. 132. P. 17–23.
Ciment 1971b – Ciment M. Entretien avec Jerry Schatzberg // Positif. 1971. 132. P. 24–37.
Cook 2010 – Cook P. Baz Luhrmann. Basingstoke: BFI & Palgrave Macmillan, 2010.
Cook 2017 – Cook P. An American in Paris: Sofia Coppola and the New Auteurism [unpublished conference paper]: profpamcook.com/talks-and-papers (по состоянию на 22.08.2017).
Corner 2008 – Corner J. Documentary Studies: Dimensions of Transition and Continuity // Austin T., de Jong W. (eds) Rethinking Documentary: New Perspectives, New Practices. Maidenhead: Open University Press, 2008. P. 13–28.
Cotton 2009 – Cotton C. Introduction // Knight N. (ed.) Nick Knight. New York: Harper Collins, 2009.
