Henri Frankfort. The Art and Architecture of the Ancient Orient (Harmondsworth: Penguin, 1954; 4-е изд., 1970)
3 ВЕЛИКОЕ ПРОБУЖДЕНИЕ
Gisela M.A. Richter. A Handbook of Greek Art (London: Phaidon, 1959; 9-е изд., Oxford, 1987; переизд. London, 1994)
Martin Robertson. A History of Greek Art (2 vols., Cambridge U.P., 1975)
Andrew Stewart. Greek Sculpture (2 vols., New Haven-London: Yale U.P., 1990)
John Boardman. The Parthenon and its Sculptures (London: Thames and Hudson, 1985)
Bernard Ashmole. Architect and Sculptor in Classical Greece J.J. Pollitt. Art and Experience in Classical Greece (Cambridge U.P., 1972)
R.V. Cook. Greek Painted Pottery (London: Methuen, 1960; 2-е изд., 1972)
Claude Rolley. Greek Bronzes (London: Sotheby's, 1986)
4 ЦАРСТВО ПРЕКРАСНОГО
Margarete Bieber. Sculpture of the Hellenistic Age (New York: Columbia U.P., 1955; переработ. изд., 1961)
J. Onians. Art and Thought in the Hellenistic Age (London: Thames and Hudson, 1979)
J.J. Pollitt. Art in the Hellenistic Age (Cambridge U.P., 1986)
5 ПОКОРИТЕЛИ МИРА
Ranuccio Bianchi Bandinelli. Rome: the Centre of Power (London: Thames and Hudson, 1970)
Он же. Rome: the Late Empire (London: Thames and Hudson, 1971)
Richard Brilliant. Roman Art: From the Republic to Constantine (London: Phaidon, 1974)
William Macdonald. The Pantheon (Harmondsworth: Penguin, 1976)
Diana E.E. Kleiner. Roman Sculpture (New Haven-London: Yale U.P., 1993)
Roger Ling. Roman Painting (Cambridge U.P., 1991)
6 РАСХОЖДЕНИЕ ПУТЕЙ
Richard Krautheimer. Rome, Profile of a City, 312-1308 (Princeton U.P., 1980)
Otto Demus. Byzantine Art and the West (London: Weidenfeld and Nicolson, 1970)
Ernst Kitzinger. Byzantine Art in the Making (London: Faber, 1977)
Он же. Early Medieval Art in the British Museum (London: British Museum, 1940; John Beckwith. The Art of Constantinople (London: Phaidon, 1961; 2-е изд., 1968)
Richard Krautheimer. Early Christian and Byzantine Art and Architecture (Harmondsworth: Penguin, 1965; 4-е изд., 1986)
7 ВЗГЛЯД НА ВОСТОК
Jerrilyn D. Dodds, ed. Al-Andalus. The Art of Islamic Spain (New York: Metropolitan Museum of Art, 1992)
Oleg Grabar. The Alhambra (London: Allen Lane, 1978)
Он же. The Formation of Islamic Art (New Haven-London: Yale U.P., 1973; переработ. изд. 1987)
Godfrey Goodwin. History of Ottoman Architecture (London: Thames and Hudson, 1971; переизд. 1987)
Basil Gray. Persian Painting (London: Batsford, 1947; переизд. 1961)
R.W. Ferrier, ed. The Arts of Persia (New Haven-London: Yale U.P., 1989)
J.C. Harle. Art and Architecture of the Indian Subcontinent (Harmondsworth: Penguin, 1986)
T. Richard Burton. Hindu Art (London: British Museum, 1992)
James Cahill. Chinese Painting (Geneva: Skira, 1960; переизд. New York: Skira/Rizzoli, 1977)
W. Willtees. Foundations of Chinese Art (London: Thames and Hudson, 1965)
William Watson. Style in the Arts of China (Harmondsworth: Penguin, 1974)
Michael Sullivan. Symbols of Eternity (Oxford U.P., 1980)
Он же. The Arts of China (Berkeley: California U.P., 1967; 3-е изд., 1984)
Wen C. Fong. Beyond Representation (New Haven-London: Yale U.P., 1992)
8 ИСКУССТВО В ПЛАВИЛЬНОМ КОТЛЕ
David Wilson. Anglo-Saxon Art (London: Thames and Hudson, 1984)
Он же. The Bayeux Tapestry (London: Thames and Hudson, 1985)
Janet Backhouse. The Lindisfarne Gospels (Oxford: Phaidon, 1981; переизд. London, 1994)
Jean Hubert et al. L'Empire Carolingien. (Paris: Gallimard, 1968)
9 ЦЕРКОВЬ ВОИНСТВУЮЩАЯ
Meyer Schapiro. Romanesque Art (London: Chatto and Windus, 1977)
George Zarnecki, ed. English Romanesque Art 1066–1200 (London: Royal Academy, 1984)
Hanns Swarzenski. Monuments of Romanesque Art: the Art of Church Treasures in North-Western Europe (London: Faber, 1954; 2-е изд., 1967)
Otto Pacht. Book Illumination in the Middle Ages (London: Harvey Miller, 1986)
Christopher de Hamel. A History of Illuminated Manuscripts (Oxford: Phaidon, 1986; 2-е изд., London, 1994)
J.J.G. Alexander. Medieval Illuminators and their Methods (New Haven-London: Yale U.P., 1992)
10 ЦЕРКОВЬ ТОРЖЕСТВУЮЩАЯ
Henri Focillon. L'Art d'Occident. Le moyen age roman et gothique. (Paris: Colin, 1947)
Joan Evans. Art in Medieval France (London: Oxford U.P., 1948)
Robert Branner. Chartres Cathedral (London: Thames and Hudson, 1969; переизд. New York: W.W. Norton, 1980)
Max Hirmer, Willibald Sauerlander. Gotische Skulptur in Frankreich. 1140–1270 (Munchen: Hirmer, 1970)
Jean Bony. Cathedrals gothiques en France (Paris: Braun, 1954)
James H. Stubblebine. Giotto, the Arena Chapel Frescoes (London: Thames and Hudson, 1966; 2-е изд., 1993)
Jonathan Alexander, Paul Binski, ed. Age of Chivalry: Art in Plantagenet England 1200–1400 (London: Royal Academy, 1987)
11 ПРИДВОРНЫЕ И ГОРОЖАНЕ
Jean Bony. The English Decorated Style (Oxford: Phaidon, 1979)
Andrew Martindale. Simone Martini (Oxford: Phaidon, 1988)
Millard Meiss. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries (2 vols., New York: Braziller, 1974)
Jean Longnon et al. The Tres Riches Heures of the Duc de Berry (London: Thames and Hudson, 1969; переизд. 1989)
12 ЗАВОЕВАНИЕ РЕАЛЬНОСТИ.
Eugenio Battisti. Brunelleschi: the Complete Work (London: Thames and Hudson, 1981)
Bruce Cole. Masaccio and the Art of Early Renaissance Florence (Bloomington: Indiana U.P., 1980)
Umberto Baldini, Ornella Casazza. La Capella Brancacci (Milano: Olivetti; Electa, 1990)
Paul Joannides. Masaccio and Masolino (London: Phaidon, 1993)
H.W. Janson. The Sculpture of Donatello (Princeton U.P., 1957)
Bonnie A. Bennett, David G. Wilkins. Donatello (Oxford: Phaidon, 1984)
Kathleen Morand. Claus Sluter: Artist of the Court of Burgundy (London: Harvey Miller, 1991)
Elizabeth Dhanens. Hubert and Jan van Eyck (Antwerp: Fonds Mercator, 1980)
Erwin Panofsky. Early Netherlandish Painting: Its Origin and Character (2 vols., Cambridge, Mass.: Harvard U.P., 1953; переизд. New York: Harper and Row, 1971)
13 ТРАДИЦИЯ И НОВАТОРСТВО: I
Franco Borsi. L.B. Alberti: L'opera completa (Milano: Electa, 1980)
Richard Krautheimer. Lorenzo Ghiberti (Princeton U.P., 1956; пересмотр. изд., 1970)
John Pope-Hennessy. Fra Angelico (London: Phaidon, 1952; 2-е изд., 1974). Русск. перев.:
Джон Поуп-Хеннесси. Фра Анджелико (М.: Слово/Slovo, 1995)
Он же. Uccello (London: Phaidon, 1950; 2-е изд., 1969)
Ronald Lightbown. Mantegna (Oxford: Phaidon-Christie's, 1986)
Jane Martineau, ed. Andrea Mantegna (London: Thames and Hudson, 1992)
Kenneth Clark. Piero della Francesca (London: Phaidon, 1951; 2-е изд., 1969)
Ronald Lightbown. Piero della Francesca (New York: Abbeville, 1992)
L.D. Ettlinger. Antonio and Piero Pollaiuolo (Oxford: Phaidon, 1978)
H. Horne. Botticelli: Painter of Florence (London: Bell, 1908; переработ. изд.: Sandro Botticelli: Life and Work. London: Thames and Hudson, 1989)
О картинах Весна и Рождение Венеры см. мою статью Botticelli's Mythologies — Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995)
14 ТРАДИЦИЯ И НОВАТОРСТВО: II
John Harvey. The Perpendicular Style (London: Batsford, 1978)
Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings ascribed to him and to Robert Campin (London: Phaidon, 1972)
Michael Baxandall. The Limewood Sculptors of Renaissance Germany (New Haven — London: Yale U.P., 1980)
Jan Bialostocki. The Art of the Renaissance in Eastern Europe (Oxford: Phaidon, 1976)
15 ДОСТИГНУТАЯ ГАРМОНИЯ
Arnaldo Bruschi. Bramante. Bari: Laterza, 1973 Kenneth Clark. Leonardo da Vinci (Cambridge U.P., 1939; переработ. изд., Harmondsworth: Penguin, 1988)
A.E. Popham, ed. Leonardo da Vinci: Drawings (London: Cape, 1946; переработ. изд., 1973)
Martin Kemp. Leonardo da Vinci: The Marvellous Works of Nature and Man (London: Dent, 1981)
См. также эссе в моих книгах: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 39–56, и New Light on Old Masters (Oxford: Phaidon, 1986; переизд. London, 1993), pp. 32–88.
Herbert von Einem. Michelangelo. Bildhauer, Maler, Baumeister (Berlin: Mann, 1973)
Howard Hibbard. Michelangelo (Harmondsworth: Penguin, 1975; 2-е изд., 1985).
См. особенно введения здесь и в предыдущей книге. Johannes Wilde. Michelangelo: Six Lectures (Oxford U.P., 1978)
Ludwig Goldscheider. Michelangelo: Paintings, Sculpture, Architecture (London: Phaidon, 1953; 6-е изд., 1995)
Michael Hirst. Michelangelo and his Drawings (New Haven-London: Yale U.P., 1988)
Полные каталоги произведений Микеланджело см.: Frederick Hartt. The Paintings of Michelangelo (New York: Abrams, 1964)
Он же. Michelangelo: The Complete Sculpture (New York: Abrams, 1970)
Он же. Michelangelo Drawings (New York: Abrams, 1970)
О Сикстинской капелле см.: Charles Seymour, ed. Michelangelo: the Sistine Ceiling (New York: W.W. Norton, 1972)
Carlo Pietrangeli, ed. The Sistine Chapel: Michelangelo Rediscovered (London: Muller, Blond and White, 1986)
John Pope-Hennessy. Raphael (London: Phaidon, 1970)
Roger Jones, Nicholas Penny. Raphael (New Haven-London: Yale U.P., 1983)
Luitpold Dussler. Raphael: Kritisches Verzeichnis der Gemalde, Wandbilder und Bildteppiche (Munchen, 1966)
Paul Joannides. The Drawings of Raphael with a Complete Catalogue (Oxford: Phaidon, 1983)
О Станца делла Сеньятура см. статью в моей книге: Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995), pp. 85-101;
О Мадонне в кресле см. статью в моей книге: Norm and Form (London: Phaidon, 1966; 4-е изд., Oxford, 1985; переизд. London, 1995), pp. 64–80.
16 СВЕТ И ЦВЕТ
Deborah Howard. Jacopo Sansovino (New Haven-London: Yale U.P., 1975)
Bruce Boucher. The Sculpture of Jacopo Sansovino (2 vols., New Haven-London: Yale U.P., 1992)
Johannes Wilde. Venetian Art from Bellini to Titian (Oxford U.P., 1974)
Giles Robertson. Giovanni Bellini (Oxford U.P., 1968)
Terisio Pignatti. Giorgione: Complete Edition (London: Phaidon, 1971)
Harold Wethey. The Paintings of Titian (3 vols., London: Phaidon, 1969–1975)
Charles Hope. Titian (London: Jupiter, 1980)
Cecil Gould. The Paintings of Correggio (London: Faber, 1976)
A.T. Popham. Correggio's Drawings (London: British Academy, 1957)
17 РАСПРОСТРАНЕНИЕ НОВОГО СТИЛЯ
Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971)
Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948)
G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969)
Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)
Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.
R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987)
