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Путешествие в Космос и обратно
Нижняя картинка выражает удивление художницы перед порядком, гармонией, цельностью и завершенностью Вселенной. Верхняя картинка отражает чувства крайнего холода, заставляющего ее покидать этот космический рубеж и возвращаться. Отождествление с пятиугольником помогало ей в обосновании и интеграции сеанса холотропного дыхания (Катя Солани)
Шаманское посвящение, часть 4
Последняя из четырех мандал из сеанса холотропного дыхания.
Полностью интегрированная и преобразованная, путешественница располагается в центре картины. Ее окружают тьма, три талисмана, Праматери, Змея и шаманская реальность в форме алмаза. Опыт носит сложный, но упорядоченный характер (Ян Ванната)
Психодуховная смерть и возрождение из сеанса холотропного дыхания. Рисунок изображает лебедя – могущественную птицу-духа, которая играет важную роль в сибирском шаманизме
Безмятежная внутриутробная жизнь (БПМ 1)
Сплетение и взаимосвязанность пальцев рук и ног представляет опыт образа тела плода, который отличается от образа тела взрослого человека
Сердце шамана пронзает клык моржа, а его дух путешествует к волку, к луне, к солнцу и к другому шаману
Мандала из сеанса холотропного дыхания (Таи Хазард)
Амниотическая вселенная
Картина изображает блаженный эпизод внутриутробной жизни (БПМ 1) в сеансе с высокой дозой ЛСД. Регрессия к внутриутробной жизни опосредует доступ к опыту единства с космосом. Форма галактики, напоминающая женскую грудь («Млечный Путь»), предполагает одновременную эмпирическую связь с памятью о «хорошей груди»
Внутриутробное блаженство.