35 Ibid. P. 868.
36 Ibid. P. 882.
37 Shattuck. Op. cit. P. 161.
38 Hugo Ball. Dada Tagebuch. In: Arp/Huelsenbeck/Tzara. Die Geburt des Dada. Zurich, Arche, 1957. P. 117.
39 Ibid. P. 139.
40 Oskar Kokoschka. Sphinx und Strohmann. In: Schriften 1907–1955. Munich, Albert Langen, 1956. P. 167.
41 Tristan Tzara. Chronique Zurichoise. In: Die Geburt des Dada. P. 173.
42 Georges Ribemont-Dessaignes. Deja Jadis. Paris, Julliard, 1958.
43 Tzara. Premiere Aventure Celeste de M. Antipyrine. Collection Dada. Ziirich, 1916. Extract in Tzara. Morceaux Choisis. Paris, Bordas, 1947.
44 Ribemont-Dessaignes. Op.cit. P. 73.
45 Tzara. Le Coeur a Gaz. Paris, GLM, 1946. P. 8.
46 Ribemont-Dessaignes. L’Empereur de Chine, suivi de Le Serin Muet. Paris, Sans Pareil, Collection Dada, 1971. P. 127.
47 Yvan Goll. Autobiographical Note. In: K. Pinthus. Menschhe- itsdammerung. Berlin, Rowohlt, 1920. P. 292.
48 Goll. Preface to Die Unsterblichen. In: Dichtungen. Neuwied, Luchterhand, 1960. P. 64.
49 Ibid. P. 64, 65.
50 Ibid. P. 65.
51 Goll. Methusalem. In: Schrei und Bekenntnis. Ed. K. Otten. Neuwied, Luchterhand, 1959. P. 426, 427.
52 Bertolt Brechr. In Dickicht der Stadte. In: Stiicke I. Frankfurt, Suhrkamp, 1953. P. 291, 292.
53 Roger Vitrac. Les Mystferes de Г Amour. In: Theatre II. Paris, Gallimard, 1948. P. 56.
54 Vitrac. Victor, ou Les Enfants au Pouvoir. In: Theatre I. Paris, Gallimard, 1946. P. 90.
55 Antonin Artaud. The Theatre and its Double. Trans. Mary Caroline Richards. N.Y., Grove Press, 1958. P. 7.
56 Ibid. P. 42.
57 Ibid. P. 85.
58 Ibid. P. 28.
59 Ibid. P. 93.
60 Ibid. P. 37.
61 Ibid. P. 71.
62 Ibid. P. 73.
63 Ibid. P. 78.
64 Ibid. P. 110, 111.
65 Ionesco. Pour Cocteau. Cahiers des Saisons. No. 12, October 1957.
66 J. H. Sainmont, H. Robillot,A. Templenul. Introduction to J. Torma. Le Betrou. Paris. College de Pataphysique, year 83 of the pataphysical era
1956. P. 14.
67 Torma. Euphorismes. Paris, 1926. P. 37.
68 Ibid. P. 39.
69 Ibid.
70 Beckett/Georges Duthuit/Jacques Putman. Bram van Velde. N.Y., Grove Press, 1960.
71 R. Penrose. Picasso: His Life and Work. London, Gollancz, 1955. P. 335.
Bentley E. Notes to him. In: From the Modem Repertoire, series II. Indian University Press, 1957. P. 478.
73 E. E. Cummings, quoted by Bentley. Op. cit. P. 487.
ГЛАВА ВОСЬМАЯ
1 Nietzsche. Also Sprach Zarathustra. In: Werke, vol. II. Munich, Hanser, 1955. P. 279.
2 Camus. Le Mythe de Sisyphe. Paris, Gallimard, 1942. P. 29.
3 George Steiner. The retreat from the word. I, Listener, London,
14 July 196o.
4 Ibid. II, op. cit., 21 July 1960.
5 Ludwig Wittgenstein. Philosophical Investigations. I. Oxford, Blackwell, 1958. P. 48, 48-e.
6 Ionesco. Ni un dieu, ni un demon. Cahiers de la Compagnie Madeleine Renaud — Jean-Louis Barrault, Paris, nos. 22, 23, May 1958. P. 131.
7 Eva Metman. Reflections on Samuel Beckett’s plays. Journal of Analitical Psychology. London, Janiary 1960. P. 43.
8 Ibid.
9 Jung. Ulysses. Quoted by Metman. Op. cit. P. 53.
10 Ionesco. Experience du theatre. Nouvelle Revue Frangaise. Paris, 1. February 1958. P. 226.
11 Le Mythe de Sisyphe. P. 94.
12 Lao-tzu, quoted in Aldous Huxley. The Perennial Philosophy. London, Chatto and Windus, 1946. P. 33.
13 St. John of the Cross, quoted in Huxley. Op. cit.
14 Meister Eckhart, quoted, in Huxley. Op. cit.
15 Ionesco, quoted in Towanicki. Spectacles, Paris, No. 2, July 1958.
BIBLIOGRAPHY
I. THE DRAMATISTS OF THE ABSURD
ADAMOV, ARTHUR PLAYS
Thiatre, 4 vok, Paris: Gallimard, vol. I, 1953, vol. П, 1955, voL Ш, 1966, vol. IV, 1968.
Vol. I contains: La Parodie, L’Invasion, La Grande et la Petite Manxuvre, Le Projesseur Taranne, Tous Contre Tous. (Le Pro- fesseur Taranne tram, by A. Bermel in Four Modem French Comedies, New York: Capricorn Press, i960; by Peter Meyer in Absurd Drama, Harmondsworth: Penguin Boob, 1965)
Vol. П contains: Le Sens de la Marche, Les Retrouvailles, Le Ping- Pong. (Le Ping-Pong trans. by Richard Howard, New York: Grove Press, 1959)
Vol. Ш contains: Paolo Paoli, La Politique des Restes, Sainte Europe Vol. IV contains: M. le MSdtrt, Le Printemps '71
Separately published plays
La Parodie, L’Invasion, pricidies d’une lettre d’Andri Gide, et de tfmoign- ages de Rent Char, Jacques Privert, Henri Thomas, Jacques Lemar- chand,Jean Vilar, Roger Blin, Paris: Chariot, 1950 Paolo Paoli, Paris: Gallimard 1957 (English trans. by Geoffrey Brereton, London: Calder, 1959)
Les Ames Mortes, d’aprh le роете de Nicolas Gogol, Paris: Gallimard,
i960
Comme Nous AvonsEM, Paris: Nouvelle Revue Franfaise, March 1953 (trans. by Richard Howard, As We Were, New York: Evergreen Review, I, 4, 1957)
Theatre de Sociiti. Seines d'Actualiti, Paris: Les Editeurs Franpiis Reunis, 1958, contains three short sketches by Adamov: IntimiU, Je ne Sub pas Francois, La Complainte du Ridicule.
En Fiacre (radio play), unpublished ms., 1939 Le Printemps ’71, Paris: Gallimard, 1961
Si ГЁ1ё Revenait, Paris: Gallimard, 1970
BIBLIOGRAPHY
OTHER WRITINGS
L’Aveu, Paris: Sagittaire, 1946 (one section of this autobiographical confession tram, by Richard Howard, ‘The endless humiliation New York: Evergreen Review, П, 8, 1959)
'Assignation', Paris: L’Heure Nouvelle, no. П, 1945 ‘Le Rejus’, Paris: L’Heure Nouvelle, no. П, 1946 Auguste Strindberg, Dramaturge, Paris: VArche, 1955
* Thiatre, argent et politique’, Paris: Thitre Populaire, no. 17, 1956 ‘Parce que je I’ai beaucoup aimi. (on Artaud), Paris: Cahiers de la Compagnie M. Renaud — J.-L Barrault, nos. 22-3, May 1958 Anthologie de la Commune (ed. Adamov), Paris: Editions Sodales, 1959 Id et Maintenant (collected essays), Paris: Gallimard, 1964 L’Homme et I’Enfant (diaries), Paris: Gallimard, 1968 Je … Ils (reissue of L’Aveu and new memoirs), Paris: Gallimard,
1969
TRANSLATIONS BY ADAMOV
rilke, LeLivre de la Pauvretdet de la Mart, Algiers: 1941 buchner, Thitre Complet, trans. by Adamov and Marthe Robert dostoevsky, Crime et ChStiment JUNG, Le Moi et Tlnconsdent, Paris: 1938 GOGOL, Les Ames Mortes, Lausanne: La Guilde du Livre chekhov, L’Esprit des Bois, Paris: Gallimard (in the series ‘Le Manteau d’Arlequin’) chekhov, Thtre, Paris: Club Franpiis da Livre Strindberg, Le Pelican, Paris: ThiStre Populaire, no. 17,1956 Strindberg, Pbe, Paris: VArche, 1958 kleist, La Cruche Cassie, Paris: Thiatre Populaire, no. 6,1954 Gorki, ThiStre, Paris: L’Arche
ON ADAMOV
gaudy, RENi, Arthur Adamov, Paris: Stock, 1971 lynes, carlos, jr, ‘Adamov or “le sens httdral” in the theatre’, Yak French Studies, no. 14, Winter 1954-5 regnaut, maurice, ‘Arthur Adamov et le sens du fitichisme', Paris: Cahiers de la Compagnie M. Renaud — J.-L. Barrault, nos. 22-3, May
1958
BIBLIOGRAPHY
ALBEE, EDWARD The Zoo Story (written 1958), New York: Evergreen Review, no. 12, March-April i960; also in Absurd Drama, Harmondsworth: Penguin Boob, 1965 The American Dream, A play, New York: Coward-McCann, 1961; London: Cape, 1962; also in New American Drama, Harmondsworth: Penguin Books, 1966 The Zoo Story, The Sandbox, The Death of Bessie Smith, published in one volume, New York: Co war d-McCann, i960 Who’s Afraid of Virginia Woolfi A play, New York: Atheneum, 1963; London: Cape, 1964; Harmondsworth: Penguin Books,
1965
Tiny Alice, London: Cape, 1966 A Delicate Balance, London: Cape, 1968
Box and Quotations from Chairman Mao Tse-tung, New York: Atheneum, 1969 All Over, New York, Atheneum, 1971 Seascape, London: Cape, 1976
ON ALBBB
bigsby, c. w. e., Albee, Edinburgh: Oliver Boyd. 1969 cohn, ruby, Edward Albee, Minneapolis: University of Minnesota Press, 1969
kbrjean, LILIANS, Albee, Paris: Seghers, 1971 kerjean, lilianb, Le Thtre d’Edward Albee, Paris: lCttnrfafoA,
1978
ARRABAL, FERNANDO ThiStre, Paris: Christian Bourgois, 12 vols.
VoL I contains: Oraison, Les Deux Bourreaux, Fando et Lis, Le Cimetihe des Voitures VoL П contains: Guernica, Le Labyrinthe, Le Tricycle, Pique-nique en Campagne, La Bicyclette du Condamni VoL Ш contains: Le Grand CMmonial, Cirimonie pom un Not Assassini
VoL IV contains: Le Couronnement, Concert dans un CEuf VoL V (Theatre Panique) contains: ThiStre Panique, L’Architecte et L’Empeteur d’Assyrie
БИБЛИОГРАФИЯ
BIBLIOGRAPHY
VoL VI contains: Le Jardin des Dilices, BestialiU trotique, Une Tortue Nommie Dostoievski VoL VII (Theatre de guerilla) contains: Et Us Passbent des Menottes aux Fleurs, L’Attrore Rouge et Noire Vol. VTn (Deux opas paniques) contains: Ars Amandi, Dieu TenU par les Mathbnatiques Vol. IX contains: Le Ciel et la Merde, La Grande Revue du XXe Stick
VoL X contains: Bella Ciao, La Guerre de Mille Arts VoL XIcontains: Ld Tour de Babel, La Marche Royak, Une Orange sur к Mont de Vfaus, La Gloire en Images Vol. ХП contains: Vole-moi un Petit Millard, Le Pastaga des Loups ou Ouverture Orang-Outan, Punk et Punk et CoUgram Plays not included in the collected Theatre: Sur к Fil, Jeunes Bar- bares d’Aujourd’hui
ON ARRABAL
Gille, Bernard, Fernando Arrabal, Paris: Seghers, 1970 morrissbtt, ann, ‘Dialogue with Arrabal’, New York: Evergreen Review, no. ij, November-December i960 schiirbs, alaih, Entretiens avec Arrabal, Paris: Pierre Belfond, 1969 sbrreau, Genevieve, ‘Un nouveau style comique: Arrabal’, Paris: Les Lettres Nouvelks, no. 65, November 1958 (trans. New York: Evergreen Review, no. 15, November-December i960)
BECKETT, SAMUEL PLAYS
En Attendant Godot, Paris: Editions de Minuit, 195a (trans. by author, Waiting for Godot — U.S. edition, New York: Grove Press, 1954; English edition, London: Faber Faber, 1955)
Fin de Partie, suivi de Acte Sans Paroles, Paris: Editions de Minuit, 1957 (trans. by author, Endgame, followed by Act Without Words — U.S. edition, New York: Grove Press, 1958; English edition, London: Faber Faber, 1958)
All That Fall, London: Faber Faber, 1957 [U.S. edition, see below]
BIBLIOGRAPHY
Krapp’s Last Tape and Embers, London: Faber Faber, 19J9 Krapp’s Last Tape and Other Dramatic Pieces, New York: Grove Press, i960, contains Krapp’s Last Tape, All That Fall, Embers, Act Without Words I, Act Without Words II Happy Days, New York: Grove Press, 1961 (trans. by author, Oh les Beaux Jours, Paris: Editions de Minuit, 1963)
Play and Two Short Pieces for Radio, London: Faber Faber, 1964, contains: Play, Words and Music, Cascando (trans. by author) Comidie et Actes Divers, Paris: Editions de Minuit, 1966, contains: Comidie (Play trans. by author); Va et Vient, Dramaticule (Come and Go trans. by author); Cascando, Piice radiophoniquepour musique et voix; Paroles et Musique, Piece radiophonique (Words and Music trans. by author); Dis Joe, Piece pour la tiUvision (Eh Joe trans. by author); Acte Sans Paroles II, pour deux personnages et un aiguillon (Act Without Words II trans. by author)
Come and Go (English original) first published in Samuel Beckett, Aus einem aufgegebenen Werk und kurze Spiele (a collection of short prose works and plays in the original language and German trans.), Frankfurt: Suhrkamp, 1966 (no. 145 in ‘Edition Suhrkamp'); separate publication, London: Calder Boyars, 1967 Eh Joe and Other Writings, London: Faber Faber, 1967, contains Eh Joe, Act Without Words II, Film Breath and Other Shorts, London: Faber Faber, 1971, contains: Breath, Come and Go, Act Without Words I, Act Without Words II, From an Abandoned Work Not I, London: Faber Faber, 197З Footfalls, London: Faber Faber, 1976 That Time, London: Faber Faber, 1976
End and Odds. Plays and Sketches, London: Faber Faber, 1977. contains: Not I, That Time, Footfalls, Ghost Trio,… but the clouds …, Theatre I, Theatre II, Radio I, Radio II Film. Complete Scenario; Illustrations; Production shots, New York: Grove Press, 1969
