164
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
Ibid., p. 53.
Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 127.
Пер. П. Мелковой. – Прим. пер.
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
Пер. П. Мелковой. – Прим. пер.
Ibid., p. 51.
Пер. П. Мелковой. – Прим. пер.
Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 273.
Ibid., p. 276.
Zeki, S. Splendors and Miseries of the Brain. Oxford: Wiley-Blackwell, 2009. P. 39.
James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. P. 474.
Damasio, A. Descartes’ Error: Emotion, Reason and the Human Brain. New York: G. P. Putnam Sons, 1994. P. 129.
James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. Pp. 1066–1067.
Ibid., p. 449.
MacMillan, M. An Odd Kind of Fame: Stories of Phineas Gage. Cambridge, MA: MIT Press, 2000. P. 114.
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 27.
Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution. New York: Bloomsbury Press, 2009. P. 6.
Ibid.
Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954. New York: Alfred A. Knopf, 2007. P. 26.
Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41.
Ibid.
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149.
Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. Pp. 77–78.
Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217.
Ibid., p. 242.
Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. P. 80.
Пер. М. Лозинского. – Прим. пер.
Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215.
Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176.
Ibid.
Ibid., p. 177.
Aiken, N. E. The Biological Origins of Art. Westport, CT: Praeger, 1998. P. 169.
Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44.
Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25.
Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49.
Ibid., p. 15.
Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993. P. 298.
Holton, G. The Scientific Imagination: Case Studies. London: Cambridge University Press. Pp. 231–232.
Podro, M. Depiction. New Haven: Yale University Press, 1998. P. VI.
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 300.
Gardner, H. Creating Minds. P. 36.
Sinha, P., Balas, B., Ostrovsky, Y., and R. Russell Face Recognition by Humans: Nineteen Results All Computer Vision Researchers Should Know About // Proceedings of the IEEE 94, no. 11 (2006): 1948.
В. Рамачандран, из неопубликованной переписки с коллегой.
Gardner, H. Five Minds for the Future. Boston: Harvard Business School Press, 2006. P. 80.
Ibid., pp. 80–81.
Д. Н. Смирнов (О тайнах творческого процесса в музыке // Музыкальная академия, 2002 (2): 39–48) указывает, что цитируемое письмо, приписываемое Моцарту, – подделка. Рус. пер. приводится по тексту указанной статьи, где написано, что он восходит к книге: Адамар Ж. Исследование психологии процесса изобретения в области математики. М., 1970. – Прим. пер.
Andreasen, N. C. The Creating Brain: The Neuroscience of Genius. New York: Dana Press, 2005. P. 40.
Ramachandran, V. A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers. New York: Pearson Education, 2004. P. 51.
Пер. Ю. Айхенвальда, сверенный и уточненный Т. Молчановой и Н. Трубниковой. – Прим. пер.
Schopenhauer, A. Essays and Aphorisms. London: Penguin Books, 1970. Pp. 123–124.
Gardner, H. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1982. P. 321.
Пер. А. Логвинской. – Прим. пер.
Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 195.
Humphrey, N. Cave Art, Autism and the Evolution of the Human Mind // Cambridge Archeological Journal 8 (1998): 176.
Ibid., p. 171.
Здесь и далее цитаты из книги О. Сакса “Антрополог на Марсе” в пер. А. Николаева. – Прим. пер.
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 203.
Ibid., p. 206.
Ibid., p. 203.
Ibid., p. 206.
Пер. А. Свирид. – Прим. пер.
Gardner, H. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1993. P. 63.
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 229.
Jamison, K. R. Touched with Fire: Manic-Depressive Illness and the Artistic Temperament. New York: Free Press, 1993. P. 55.
Jamison, K. R. Exuberance: The Passion for Life. New York: Vintage Books; Random House, 2004. P. 126.
Ibid., p. 127.
Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996. P. 379.
Snow, C. P. The Two Cultures: A Second Look. New York: Cambridge University Press, 1963. P. 100.
Berlin, I. Concepts and Categories: Philosophical Essays. London: Hogarth Press, 1978. P. 159.
Greene, B. The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory. New York: Vintage Books, 1999. P. 3.
Gould, S. J. The Hedgehog, the Fox, and the Magister’s Pox. New York: Harmony Books, 2003. P. 195.
Johnson, G. The Ten Most Beautiful Experiments. New York: Vintage Books, 2009. P. 17.
