“Comic” books and contemporary literature to the contrary, murder is a sickening, insane thought—a reflection of a sick world. The very idea of one human ending the hopes, the desires, the laughter and sadness of another human is the height of stupid conceit. Much as I hated Mac, I didn't want to kill him. Yet I had no choice: it was either him or losing Elma... which would be the same as ending my own life.
But murder frightened me: I'd never been so frightened. I tried to think it out thoroughly.... How does one murder? I was a layman, the rankest of amateurs, and I had to plan the greatest of all crimes—the perfect killing. One thing was for sure—getting caught would be as bad as losing Elma.
My thoughts raced around in a tired circle. Undoubtedly as soon as Mac was killed, the police would get in touch with Elma—as his widow—and I'd be the number-one suspect. The first thing I needed was a good alibi. I thought of all sorts of childish things—like taking a rowboat and saying I was going fishing, beaching it on the shore and going into town and killing him, then returning to the boat and rowing in from the Sound at the end of the day. But I knew that was a lousy alibi—the cops had better trained minds than mine, they could figure that too.
And I knew the more I planned, the more chance I had of tripping myself. What was needed was a simple method of killing. I had one advantage—Mac had never seen me, so I could approach him without warning. But approach him where, when? Would I kill him on the street, strangle him in his sleep...?
I kept turning ideas over in my mind—most of them things I'd read or seen in the movies—till I had a headache and was still no nearer having a plan. With murder there cannot be any failure.
Towards morning the dope Elma took wore off and she began to cry softly, thinking I was asleep. Her crying was like a whip cutting my heart. I put my arms around her gently, tried to calm her. She sobbed, “Marsh, this is all so unfair to you. I wish I could control myself, I know I'm being selfish, but I can't even think of giving up my baby.”
“Darling, first have the baby. If you don't stop worrying you can have a miscarriage and that would be worse than losing the kid to Mac. You must believe that things will turn out right for us. We have to keep riding our luck—like in a crap game. When you're hot, have faith in yourself.”
“But maybe our meeting, our luck, was too good to last.”
“Don't even say that, it's going to last—it has to! Elma, I have a... a hunch... things will work out. But you have to stop all this damn worrying, getting yourself sick.”
“Marsh, I can almost lean on your words. Your strong arm seems like a great wall protecting us,” Elma said, kissing the muscle of my arm.
I flexed the muscle, like a kid showing off. “I'd like to get my arm around Mac for a few seconds! Honey, we'll outwit him. After all, we have two minds against his—a crummy little storekeeper...”
You know how it is—you can think and think for days and never get any place, then one word suddenly sets your mind in order. Soon as I said “storekeeper” a brace of bells went off in my brain, as if I'd hit the jackpot in a pinball machine. All the time I'd been thinking of killing Mac and here.... Outside of a natural death in bed, how do storekeepers die? What's an almost occupational hazard for them?
A hold-up!
“Marsh, I'm such a pest and you're so good and...”
“Get some sleep, honey, and relax,” I said, kissing her, and so wide awake I wanted to spring out of bed.
Elma turned until she was comfortable, began breathing evenly. I stared up at the darkness. A stick-up would be simple... and nobody would connect me with it.
An “unknown thug” enters the store and shoots Mac during a hold-up. I might be able to hire a thug, but that would be risky, and I hadn't the slightest idea how to go about that. No, the thug would have to be me—in disguise. A good disguise so that if he was seen—in fact I wanted “him” to be seen—he would look entirely different from me.
Now I had a plan. First the disguise. It would be impossible to make myself taller, but if I wore a lot of padding, then my shoulders would be lost, I'd merely look like a short, dumpy, clown. I'd dye my hair black with one of these new washable dyes. This was it. I'd make sure Elma took a pill late, then leave here at about four in the morning. She wouldn't come to till noon. I could be over in Newark by eight, shoot Mac as soon as he opened and be back before...
Shoot? Where would I get a gun?
How the hell does one get a gun? Must be a hundred or more places in New York where guns were sold under the counter... you read about kid gangs getting guns... but where? I could stab him, but that would be clumsy and maybe I didn't have the guts to cut a man to death. It would be nothing to buy a rifle... saw off the barrel. I had a dull hacksaw. Tony had a better one that.... I smiled up at the dark ceiling.... Tony's Luger!
I'd steal it, shoot Mac, and put the Luger back. Tony would never miss it. Then a day or so later, I'd borrow it... ask him for it... I wanted to use it as a model or something. Then I'd lose the damn thing, throw it in the ocean. He'd raise hell and I'd say I was sorry, offer him money for a new gun.
I sighed. The gun part was simple.
The big thing was the get-away. I'd have the car parked near the store and after I'd shot Mac, made it look like a robbery, I'd drive away, stop some place to take off my padded suit, wash the dye out of my hair. I'd put a plug in my nose, a wad of cotton, to distort my face, place a wart on my face with make-up. I had to be seen... so the cops would be hunting for a fat, dark-haired man with a wide nose and a wart on his face.
This was it, all right. There were plenty of holes in my scheme. Suppose Tony knew the gun was missing? What if Alice came over in the morning, to see about Elma, knew I wasn't home? What if I couldn't make a quick get-away, had to shoot it out with a cop? What if somebody saw me get into the car, remembered my license plates? Jesus, maybe Mac had a clerk working with him? Maybe Mac had a gun, and shot me!
I couldn't find the answers to these questions. A perfect crime depends upon a great deal of luck... and luck would either be with me or against me. I'd have to push my luck to the limit, hope it held.
When night slowly changed to dawn, I was in the bathroom, still thinking like mad. I had a few answers. I'd buy a can of this house paint that has a water base, paint one fender to make the car noticeable, then wash it off before I came back to New York. Maybe I could steal some New Jersey license plates? No, that would be too much risk... I'd muddy up my own.
I dressed and had some coffee. Elma was still sleeping. At nine I went over to the Alvins. Alice was in the kitchen, a robe over her nightgown. She told me, “You look like you tied one on, Marsh.”
“Didn't sleep. Elma had a rough night. Look, I have to go into town. Could you stay with her this morning?”
“Of course. Do my writing at your place. I've rewritten this one chapter three times now. Gee, Elma is certainly having a time. I don't understand it, always seemed so calm and healthy and then...”
“Doc says some women have it rough with the first one. And I forgot to give her a pill last night. Tonight I'll be sure to give her one, so don't come over tomorrow morning.” And my heart beat faster at the casual way I'd decided it would be tomorrow! Within twenty-four hours I would take a man's life.
I went back and changed from my sweat shirt and dungarees to a suit and shirt and tie. Alice came over about an hour later and Elma was still sleeping. I told her to tell Elma I had to see my agent, would be back before supper.
I drove off, then quickly circled back to their house. Nobody locked their doors in Sandyhook. I found the Luger hidden in a drawer and a full clip of bullets. That was another chance I had to take. Tony mustn't notice there was an empty shell or more, in the clip... if he should look at the gun. I'd stripped a .45 during army basic and I prayed I could do the same with a Luger, get the cordite stink out of it.
As I drove to New York I had another nightmare. What if I got a flat in New Jersey, had motor trouble? Only insurance against that would be to have Len check the car.
Now and then I felt of the Luger in my pocket. The very feel of the gun gave me a kind of stupid confidence. The fact that I had death in my pocket gave me a feeling of strength, of power. It didn't make sense—I had a gun in a world full of guns, yet I almost felt as though mine was the only one.
I drove directly over to Newark, found Mac's shop. It was a small store, off the main street. I walked by several times—slowly—and looking through the window, I saw only this big fat slob behind the counter, recognized Mac from Elma's description. Getting in the car, I cruised around till I found several places—none of them far from the store—where I could park. Then I practiced driving to the highway, back to the Lincoln Tunnel, to make sure I knew the route by heart. I kept thinking that some little dumb mistake would throw me.
A couple weeks before, there was an account in the papers of some characters who had gone in for gold smuggling. There was a lot of money involved and they'd worked out plans, here and abroad. They were caught when they parked in a No-Parking street in midtown Manhattan, to split up the dough. A cop came over to see why they were parked... and that was that. Overlooking a lousy little thing like a No-Parking sign.
Coming out of the Tunnel at 34th Street, I stopped at Macy's and bought one of those hair dyes that are a part of a comb. I also purchased a small can of blue house paint.
Driving over to the Bowery, I bought a second-hand suit, size 48, stout and short, got a ragged padded quilt at another second-hand store. The suit was a blue pin stripe, just loud enough—and worn enough. Passing a tool store, I got a real bright idea—purchased one of these baling hooks longshoremen use. I stopped at a drugstore in Times Square, said I was from a little theatre group and bought a make-up kit, including a large, ready-made wart with two crazy black hairs sticking in it. I threw the rest of the kit into several garbage cans, walking back to my parked car.
On the way back to Sandyhook, I stopped at Len's garage, had the car gassed and oiled, told Len the motor was missing, and he spent an hour checking it while I had lunch. I had confidence in him, he was one of these slow, but careful, mechanics... kind that handles a car like he was in love with it.
It was almost four when I returned. Alice and Elma were talking in the bedroom. I gave them some cock-and-bull story about missing my agent,—waiting for him... something about an exhibit I'd read about in Dayton, where they have a ritzy art center.
Elma seemed rested and when Alice finally left, I gave Elma the papers to read and went to my porch studio. I cut up the quilt and roughly sewed it inside the coat and pants of the suit. I roughed up the coat—not that it needed much—and when I wore it over my own suit, it felt like a straitjacket, but I looked like mister five-by-five. I tried combing some of the dye into my hair, put the wart on, stuffed cotton up my nose, added some shadows under my eyes—and as a final touch stuck the steel freight hook in my belt. I put on an old cap, examined myself very carefully in the mirror.
I looked like a little tough guy on my uppers. I put another wad of cotton inside my left cheek—and that completely changed the contour of my face. I took out one of my worst shirts and a faded, loud tie, made sure to remove any laundry marks. Then I undressed and practiced stuffing the suit into two large shopping bags. Next I filled a gallon can with water. In two minutes I'd washed the dye out of my hair—had it back to my own sandy-blonde shade. I tried out the blue paint on a piece of metal—that washed off easily. I ran through the washing routine again—in two minutes flat.
I was set.
Dry my hair with my shirt, then use the shirt to wipe the paint off the car, wipe my license plates. After I'd tossed the can away, got rid of the bags with my clothes, I'd merely be another guy in an old Chevy—and no reason why I should be stopped.
But where would I dispose of the clothes? I couldn't keep them in the car—just in case I was stopped. I could burn them, but that would certainly attract attention.
Skipping over the clothing for a moment, I went to work on the Luger. Couldn't take a chance on firing an experimental shot, but I took it apart and put it together again— positive I knew how to work the deadly beauty. I washed an old pair of kid gloves, washed them carefully to get rid of any particles of clay, hung them up to dry. That would take care of fingerprints.
I put everything in a corner of the studio, even filled the can with water, so I'd be ready in the morning. I fixed supper for Elma and we sat and listened to records and all the time I was racking my brains, trying to think what the hell to do with the damn clothes.
I gave up—decided I'd chuck them into corner waste-baskets, once back in Manhattan. It was a weak spot in my plans, but I couldn't think of anything else to do... even though I kept thinking of those gold smugglers stopping in a No-Parking street. Be my luck to drop in the bags and get picked up for littering the streets!
Elma seemed in good spirits and we even played some gin. I put her in bed at ten, then dropped over to see the Alvins. Tony didn't say a thing about the gun being missing. I told them Elma was very tired and I'd just given her a pill, not to disturb us in the morning. Alice said she had some typing to do and a lot of house work, but would drop over in the afternoon.
When I returned, Elma was listening to the radio. I sat in a chair and fell asleep—to my surprise. I suppose I was so nervous I was emotionally exhausted. I awoke to hear Elma calling, “Marsh, it's midnight. Come to bed. I must have kept you up all last night.”
When I got into bed, Elma dozed off and I lay there, afraid to fall asleep. Suppose I overslept? But I was too tightly wound up to sleep anyway. At four o'clock I got her pill, some water, gently shook Elma awake. “Honey, you forgot your pill.”
“What time is it?”
