Peake, Mervyn - 02 Gormenghast

       'Your lordship,' he said.

       'What's 'that' for?' said Titus, eyeing the scarf.

       'It's part of the ceremony, lordship. You have to be blind-folded.'

       'No!' shouted Titus. 'Why should I be?'

       'It's nothing to do with me,' said the man. 'It's the law.'

       'The law! the law! the law - how I 'hate' the law,' cried the boy. 'Why does it want me blindfolded - after keeping me in prison all day? Where are you going to take me? What's it all about? Can't you talk? Can't you talk?'

       'Nothing to do with m' said the man; it was his favourite phrase. 'You see,' he added, 'if we don't blindfold you it won't be such a surprise when you get there and when we undo the scarf. And you see' (he continued as though he had suddenly become interested in what he was talking about) 'you see - with your eyes blindfolded you won't have any idea of where you are going - and then, you know, the crowds are going to be deathly silent and...'

       'Quiet!' said another voice - it was the man who had the mountain-chair. 'You have overreached yourself! Enough sir, for me to say' (he continued, turning to the boy) 'that it will be for your pleasure and your good.'

       'It had 'better' be,' said Titus, 'after all 'this'!'

       His longing to get out of the playroom mitigated his distaste for the blindfolding, and after taking a drink of water and cramming a small cake in his mouth, he took a step forward.

       'All right,' he said and standing before the scarf-man, he suffered himself to be bandaged. At the second turn of the scarf he was in total blackness. After the fourth he felt the cloth being knotted at the base of his head.

       'We are going to lift you into the chair, your lordship.'

       'All right,' said Titus.

       Almost immediately after he was seated in the basket-work chair he found himself rising from the ground, and then after a word from one of the men, he felt himself moving forward through black space and the slight swaying of the men beneath him. Without a word, or a pause, each man with an end of the long bamboo poles resting upon his shoulder, they began to move ever more rapidly.

       Titus had had no sensation of their leaving the room, although he knew that by now they must have left it far behind. It was obvious that they were still within the walls of the castle for he could both feel the frequent changes of direction which the tortuous corridors made necessary, and also he could hear the hollow echoing of the bearers' feet - an echoing which seemed so loud to Titus in his blindness that he could not help feeling that the castle was empty. There was not a sound, not a whisper in the whole labyrinthine place to compete with the hollow footfalls of the men, with the sound of their breathing or with the regular creaking of the bamboo poles.

       It seemed that it would never end - this darkness, and these sounds, but suddenly a breath of fresh air against his face told him that he was in the open. At the same time he could feel that he was being borne down a flight of steps, and when they had reached the level ground he felt for the first time that airborne jogging, as the four men began to trot through an empty landscape.

       And it was as utterly deserted as the castle. All the feverish activity of the day had been brought to a close. The gentry, the dignitaries, the officials, the workmen, the performers, the populace, man, woman and child - there was not one who had not arrived at his appointed station.

       And the bearers ran on over the darkening ground. Above their heads and reaching down into the west was a great tongue of yellow light.

       But with every movement that passed the lustre faded and the moon began to slide up through the darkness of the east so that the light on Titus' upturned face grew sharper and colder.

       And the bearers ran on, over the dark ground.

       There were no echoes now. Only the isolated sounds of the night - the scurry of some small animal through the undergrowth, or the distant barking of a fox. From time to time Titus could feel the cool sweet gusts of a night breeze blowing across his forehead, lifting the strands of his hair.

       'How much further?' he called. It seemed that he had been floating in the basket chair for ever.

       'How much further? how much further?' he called again, but there was no reply.

       It was impossible to carry so rare a burden as the seventy-seventh earl - to carry him shoulder-high along forest tracks, across precarious fords and over stony slopes of mountains and to have at the same time, while they kept running, any room in their minds for anything else besides. All their awareness was focused upon his safety and the measured smoothness of their rhythmic running. Had he called to them ten times as loudly they would not have heard him.

       But Titus was near to the end of his blind journey. He did not know it but the four bearers who had, for the last mile or more, been loping through pinewoods, had come suddenly upon an open shoulder of land. The ground swept downwards and away before them in swathes of moon-chilled ferns and at the base of this slope lay what seemed like a natural amphitheatre, for the land rose on all sides. The floor of this gigantic basin appeared at first sight to be entirely forested and yet the eyes of the bearers had already caught sight of innumerable and microscopic points of light no bigger than pinpricks, that flashed, now here, now there among the branches of the distant trees. And they saw more than this. They saw that in the air above the basin'd forest there was a change of hue. In the darkness that brooded over the branches there was a subtle warmth, a kind of smouldering dusk that in contrast to the cold moon, or to the glints of light among the trees, was almost roseate.

       But Titus knew nothing of this swarthy light. Nor that he was being taken down a steep track through the ferns to a district where the great chestnuts far from forming a solid forest, as it falsely appeared from the surrounding slopes, were marshalled a furlong deep about the margin of a wide expanse of water. The points of light that had caught the bearers' attention were all that they had been able to see of the moonlit lake when for a moment they had paused on a high open shoulder.

       But what of the glow? It was not long before Titus knew all about it. He was by now among the deep moon-dappled chestnut groves. His exhausted bearers, the sweat pouring down their bodies and running into their eyes, were turning into a ride of ancient trees that led to the centre of the southern bank.

       Had his vision been free he would have seen upon his left, and tethered to the low branches of the nearby trees, a hundred or more horses. Their harnessings, bridles, halters and saddles were slung across the higher branches. Here and there the moonlight penetrating the upper foliage set a stirrup dazzling in the gloom or gloated upon the leather of long traces. And then, a little further along the track where the trees were not so numerous, there stood ranged in lines, as though for inspection, a great variety of carriages, carts and traps. Here where there was less covering, the moonlight shone almost unimpeded, and was by now so high and was casting so strong a light that the varying colours of the carriages could be distinguished one from another. The wheels of each were decorated with foliage of young trees whose branches were threaded through the spokes, and with sunflowers also; in the long horse-drawn cavalcade which a few hours previously had made its overland journey to the chestnut woods, there had not been one wheel out of the many hundreds, that, in turning had not set the foliage revolving and the heads of sunflowers circling in the dusk.

       All this had been lost to the boy - all this and many another flight of fancy which from hour to hour during the day had been set in motion or enacted according to old customs whose origin or significance was long forgotten.

       But the bearers were for the first time slackening their pace. Once again he leaned forward, his hands grasping the basket-work rim of his chair. 'Where are we?' he shouted. 'How much longer will it be? Can't you answer me?'

       The silence about him was like something that hummed against his eardrums. This was another kind of silence. This was not the silence of nothing happening - of emptiness, or negation - but was a positive thing - a silence that knew of itself - that was charged, conscious and wide awake.

       And now the bearers stopped altogether, and almost at once, across the stillness, Titus heard the sound of approaching footsteps, and then - 'My lord Titus,' said a voice, 'I am here to bid you welcome and to offer you on behalf of your mother, your sister and all who are here gathered, our felicitations on your tenth birthday.

       'It is our desire that what has been prepared for your amusement will give you pleasure; and that you will find the tedium of the long and solitary day that now lies at your back has been worth the suffering: in short, my Lord Titus, your mother the Countess Gertrude of Gormenghast, Lady Fuchsia and every one of your subjects are hoping that what is left of your birthday will be very happy.'

       'Thank you,' said Titus. 'I would like to get down.'

       'At once, your lordship,' said the same voice.

       'And I'd like this scarf off my eyes.'

       'In one moment. Your sister is on her way to you. She will remove it when she has taken you to the south platform: 'Fuchsia!' his voice was sharp and strained. 'Fuchsia! Where are you?'

       'I'm coming,' she shouted. 'Hold his arm, you man, there! How do you think he can stand in the dark like that - give him to me, give him to me. Oh Titus,' she panted, holding her blind brother tightly in her arms, 'it won't be long now - and U, it's wonderful! wonderful! As wonderful as it was when it was all for me, years ago, and it's a better night than I had, and absolutely calm with a great white moon on top.'

       She led him along as she talked, and all at once the marginal trees were behind them and Fuchsia knew that every step they took and every movement they made was watched by a multitude.

       As Titus stumbled at her side he tried to imagine in what kind of place he could be. He could form no picture from Fuchsia's disjointed comments. That he was to be taken to a platform of some kind, that there was a moon, and that the whole castle seemed resolved to make amends for the long prefatory day he had spent alone was all that he could gather.

       'Twelve steps up,' said Fuchsia, and he felt her placing his foot upon the first of the rough treads. They climbed together, hand in hand, and when they reached the platform she guided him to where a large horse-hair chair bloated with moonlight, an ugly thing if ever there was one - a heavy beast with a purple skin that had tired out the two cart horses by the time they had covered half the journey.

       'Sit down,' said Fuchsia, and he sat down gingerly in the darkness, upon the edge of the ugly couch.

       Fuchsia stood back from him. Then she raised both her arms above her head.

       In reply to her signal a voice called out of the darkness. 'It is time! Let the scarf be unwound from his eyes!'

       And another voice - quick as an echo 'It is time! Let his birthday begin!'

       And another – 'For his Lordship is ten.'

       Titus felt Fuchsia's fingers undoing the knot and then the freeing of the cloth about his eyes. For a moment he remained with his lids closed, and then he slowly opened them and as he did so he rose involuntarily to his feet with a gasp of wonder.

       Before him, as he stood, one hand at his mouth, his eyes round as coins, there was stretched, as it were, across the area of his vision, a canvas - a canvas hushed and unearthly. A canvas of great depth; of width that spread from east to the west and of a height that wandered way above the moon. It was painted with fire and moonlight - upon a dark impalpable surface. The lunar rhythms rose and moved through darkness. A counterpoint of bonfires burned like anchors - anchors that held the sliding woods in check.

       And the glaze! The earthless glaze of that midnight lake! And the multitude across the water, motionless in the shadow of the sculptured chestnut trees. And the bonfires burning!

       And then a voice out of the paint cried 'Fire!' and a cannon roared, recoiled and smoked upon the bank. 'Fire!' cried the voice again, and then again, until the gun had bellowed ten times over.

       It was the sign, and suddenly the picture, as though at the stroke of a warlock's wand, came suddenly to life. The canvas shuddered. Fragments detached themselves and fragments came together. From the height to the depths it was that that Titus saw.

       Firstly the moon, by now immediately overhead; a thing as big as a dinner plate and as white, save where the shadows of its mountains lay. The moon whose lustre was over everything like a veil of snow.

       And all about the moon, the midnight sky. It came down, this sky, like a curtain, expansive as nemesis and under the sky the hilltops in a haze of ferns that overlapping one another with their fronds, descended the hill, fold after fold until the chestnut forest, luxuriant in its foliage, its upper canopies shining, stretched on Titus' eye-level in a great curve. And under these trees, along the water's edge, as thick upon the ground as nettles in wasteland, was the life of the distant castle, the teeming populace. A hundred at a time would be contained in the cast-shadow of a single tree; a hundred more be lit in a lozenge of moonlight. And then the swarms of faces, thick as bees, illumined and flushed in the red light of the lakeside bonfires. Now that the gun had fired its salute, this long strip of the canvas had begun to seethe. Across the lake it was too far for Titus to be able to make out any single creature, but movements ran through these crowds as a ripple of wind over a field of tares. But this was not all. For these ripples, these trembling blotches of shadow and moonlight, these movements on the shore, were being simultaneously repeated in the lakes. Not the least motion of a head beneath the trees but its ghost had moved beneath it in the water. Not the flicker of a fire was lost in the reflecting water.

       And it was this nocturnal glass in whose depths shone the moon-bathed foliage of the chestnut trees that held the eye the longest. For it was nothingness, a sheet of death; and it was everything. Nothing it held was its own although the least leaf was reflected with microscopic accuracy – and, as though to light these aqueous forms with a luminary of their own, a phantom moon lay on the water, as big as a plate and as white, save where the shadow of its mountains lay.

       And yet this visual richness gave less a sense of satisfaction than of expectancy. This was a setting if ever there were one - but a setting for what? The stage was set, the audience was gathered - what next? Titus turned his eyes for the first time to where his sister had been standing, but she was no longer there. He was alone on the platform with the horsehair chair.