Peake, Mervyn - 02 Gormenghast

       'Shall 1 take you to your room?'

       'I will go myself.'

       'As you please,' said Steerpike. 'But recall what I have said, I implore you. Try and understand; for I love you as the shadows love the castle.'

       She turned her eyes to him. For a moment a light came into them, but in the next moment they appeared empty once more; empty and blank.

       'I will never understand,' she said. 'It is no good however much you talk. I may have been wrong, I don't know. At any rate everything is changed. I don't feel the same any more. I want to go now.'

       'Yes, of course. But will you grant me two small favours?'

       'I suppose so,' said Fuchsia. 'What are they? I'm tired.'

       'The first one is to ask you from the bottom of my heart to try to understand the strain which was put upon me, and to ask you whether, even if it is for the last time, you will meet me, as we have done for so long, meet me that we can talk for a little while - not about us, not about our trouble, not about my faults, not about this terrible chasm between us, but about all the happy things. Will you meet me tomorrow night, on those conditions?'

       'I don't 'know'!' said "Fuchsia. 'I don't know! But I suppose so. O God, I suppose so.'

       'Thank you,' said Steerpike. 'Thank you, Fuchsia.'

       'And my other request is only this. To know, whether, if you have no use for Satan, you will let me have him back - because he is yours... and...'

       Steerpike turned his head from her and moved away a few paces.

       'You would like to know, wouldn't you, Satan, to whom you belong...' he cried in a voice that was intended to sound gallant.

       Fuchsia turned on him suddenly. It seemed that she had now realized the natural edge of her own intellect. She stared at the skewbald man with the monkey on his shoulder and then her words cut into the pale man like knives. 'Steerpike,' she said. ''I think you're going soft'.'

       From that moment Steerpike knew that when she came on the following night he would seduce her. With so dark a secret to keep hidden, the daughter of the Countess would indeed be at his mercy. He had waited long enough. Now, upon the heels of his mistake, was the only time for him to strike. He had felt the first intimation of something slipping away beneath his feet. If guile and coercion failed him, then there could be no two ways about it. This was no time for mercy - and though she proved a tigress he would have her - and blackmail would follow as smoothly as a thundercloud.

FIFTY-SEVEN

I

When Flay heard the door open quietly below him he held his breath. For a few moments no one appeared and then a shape still darker than the darkness stepped out into the corridor and began to walk rapidly away to the south. When he heard the door close again he lowered himself from the great stone shelf that stretched above Steerpike's doorway and with his long bony arms outstretched to their full extent he dropped the odd few inches to the ground.

       His frustration at being unable to gain any clue as to what had been going on inside the room was only equalled by his horror at finding that it was Fuchsia who had been the clandestine visitor.

       He had sensed her danger. He knew it in his bones. But he could not have persuaded her, suddenly, in the night, that she was in peril. He could not have told her what kind of peril. He did not know himself. But he had acted on the spur of the moment and in whispering to her out of the darkness he hoped that she might be put upon her guard. if only for reasons of supernatural fear.

       He followed Fuchsia only so far as to be sure that she was safely upon her way to her own rooms. It was all he could do not to call after her, or overtake her, for he was deeply perplexed and frightened. His love for her was something quite alone in his sour life. Fond as he was of Titus, it was the memory of Fuchsia, more than of the boy, or of any other living soul, that gave to the flinty darkness of his mind those touches of warmth which, along with his worship of Gormenghast, that abstraction of outspread stone, were seemingly so foreign to his nature.

       But he knew that he must not speak to her tonight. The distracted way in which she moved, sometimes running and sometimes walking, gave him sufficient evidence of her fatigue and, he feared, of her misery.

       He did not know what Steerpike had done or said but he knew he had hurt her, and if it were not that he felt upon the brink of gaining some kind of damning evidence, then he would have returned to that room from which Fuchsia had emerged, and on the reappearance of Steerpike, at the doorway, he would have plucked the skewbald face, barehanded, from the head.

II

As he returned in the direction of the fateful corridor, a heavy pain lay across his forehead and his thoughts pursued one another in a confusion of anger and speculation. He could not know that with every step he was travelling, not nearer to his room but further from it - further in time, further in space, nor that the night's adventures far from coming to a close were about to begin in earnest.

       By now the night was well advanced, He had returned with a slow and somewhat dragging pace, lingering here and there to lean his head against the cold walls while his headache hammered behind his eyes and across his angular brow. Once he sat down for a hour upon the lowest step of a flight of age-hollowed stairs, his long beard falling upon his knee, and taking the sharp curve of them and falling again in a straggle of string-like hair to within a few inches of the floor.

       Fuchsia and Steerpike? What could it mean? The blasphemy of it! The horror of it! He ground his teeth in the darkness.

       The castle was as silent as some pole-axed monster. Inert, breathless, spread-eagled. It was a night that seemed to prove by the consolidation of its darkness and its silence the hopelessness of any further dawn. There was no such thing as dawn. It was an invention of the night's or of the old-wives of the night - a fable, immemorially old - recounted century after century in the eternal darkness; retold and retold to the gnomic children in the tunnels and the caves of Gormenghast - a tale of another world where such things happened, where stones and bricks and ivy stems and iron could be seen as well as touched and smelt, could be lit and coloured, and where at certain times a radiance shone like honey from the east and the blackness was scaled away, and this thing they called dawn arose above the woods as though the fable had materialized, the legend come to life.

       It was a night with a bull's mouth. But the mouth was bound and gagged. It was a night with enormous eyes, but they were hooded.

       The only sound that Flay could hear was the tapping of his heart.

III

It was later. and at an indeterminate hour of the same night, or inky morning, that Mr Flay, long after passing the door in the passage, came to an involuntary halt as he was about to cross a small cloistered quadrangle.

       There was no reason why he should have been startled by the single band of livid yellow in the sky. He must have known that the dawn could not have been much longer delayed. He was certainly not held by its beauty. He did not think in that way.

       In the centre of the quadrangle was a thorn tree, and his eyes turned to the pitchy silhouette of that part of it that cut across the yellow of the sunrise. His familiarity with the shape of the old tree caused him to stare more intently at the rough and branching stem. It seemed thicker than usual. He could only see with any clarity that portion of its bole that crossed the sunrise. It appeared to have changed its outline. It was as though something were leaning against it and adding a little to its bulk. He crouched so that still more of the unfamiliar shape came into view, for the upper part was criss-crossed with branches. As his vision was lowered and he commanded a clearer view beneath the overhanging boughs his muscles became tense for it seemed that against the livid strip of sky - which threw everything else both on the earth and in the air into yet richer blackness - it seemed - that against this livid strip the unfamiliar outline on the left of the stem was narrowing to something the shape of a neck. He got silently to his knee and then, lowering his head and lifting his eyes, he obtained an uninterrupted view of Steerpike's profile. His body and the back of the head were glued together as though he and the tree had grown up as one thing from the ground.

       And that was all there was. The universal darkness above and below. The horizontal stream of saffron yellow and, like a rough black bridge that joined the upper darkness to the lower, the silhouette of the ragged thorn stem, with the profile of a face among the stems.

       What was he doing there in the darkness alone and motionless?

       Flay raised himself and leaned against the nearest of the cloistered pillars. The cut-out face of his enemy was immediately obscured by branches. But what had caught his eye - the unfamiliar outline of the bole he now recognized as being formed by an angle of the young man's elbow and the line of his hip and thigh.

       Without wasting a moment in trying to rationalize his instinctive belief that some fresh act of evil was afoot. Mr Flay prepared himself for, if necessary, a protracted vigil. There was nothing evil in leaning against a thorn tree as the first light broke in a yellow band - even though the leaning form was Steerpike's. There was no reason why he should not return at any moment to his room and sleep or indulge in some other equally innocent occupation.

       He knew that he was caught up in one of those stretches of time when for anything to happen normally would be abnormal. The dawn was too tense and highly charged for any common happening to survive.

       Steerpike, while he leaned there, rigid with the cold and flexible steel of his own conspirings, eyed the yellow light. He now knew that whatever steps were to be taken for his own advancement should be taken now. However much he may have wished to delay his designs there was no gainsaying the sense of urgency - the sense that time was not, for all the logic of his mind, upon his side.

       It was true that there was still no evidence of his guilt. But there was something almost as bad. An indescribable sensation that his power was somehow crumbling away; that the earth was slippery beneath his feet; that in spite of his formidable position, there was that in Gormenghast that, with a puff, could blow him into darkness. However much he told himself that he had made no fundamental error - that the few slips he had made had been invariably in minor matters, maddening as they might be, yet this sensation remained. It had come upon him with the shutting of the door - when Fuchsia had left him and he was alone in his room. It was new to him. He had believed in nothing that could not be proven one way or another, in the cells of his agile brain. Apart from the inconvenience that his carelessness would, for a short time, cause him, what else was there for him to rack his brains about in regard to the incident of a few hours earlier? What was there for Fuchsia to hold against him - or even to give as evidence, save that he, the Master of Ceremonies, had been rude to her?

       And yet all this was beside the point of his apprehension. If it was Fuchsia's resentment that had uncovered, witlessly, the dark pit into which he was now staring, what then was this pit, wherefore was its depth, and why its darkness?

       It was the first time that he had ever known that sleep, though he craved it, was beyond him. But his habit of making good use of every moment was deeply rooted - and especially when the time at his disposal was that in which the castle lay abed.

       And Flay knew this. He knew that it was hardly a part of Steerpike's nature to lean against a tree for the sake of watching the sun rise. Nor was it characteristic of him to brood. He was no romantic. He lived too much upon the edge of instancy for introspection. No. It was for some other reason that he leaned there, biding his time - for what?

       Mister Flay knelt down again and with his chin almost touching the ground and his small eyes swivelled upwards he stared once more at that sharp profile, its edges razor-keen against the yellow band. And then, while on his knees, two things occurred to him almost simultaneously. The first, that it was more than possible that Steerpike was waiting for sufficient light to enable him to make his way to unfamiliar ground. That he wished to go secretly and yet not lose his way, for even now the darkness was intense, the bar of light that lay like a livid ruler across the black east in no way lightening the earth or the sky about it. It kept its brilliance to itself; saffron inlaid on ebony. And this was Flay's guess: that the silhouette was waiting for the first diffusion of the light - that the line of the elbow and the hip would alter - that a profile would detach itself from a thorn tree and that a figure, lithe as a lynx, would steer into the gloom. But not alone. Flay would be following and it was when Flay, still upon his bony knees, his head near the ground, his beard spread, was turning this over in his mind that the need for some confederate not for reason of companionship or safety, but in order to bear witness, occurred to him. Whatever he was to find, whatever lay ahead, however innocent or however bloody, it would be his word alone against the pale man's. It would be the word of an exile against that of the Master of Ritual. In being within the precincts of the castle at all, he was committing a grievous sin. He had been banished by the Countess and it would ill become him to point his finger at an officer unless his accusation was doubly backed with proof.

       No sooner had this notion occurred to him than he was on his feet. He judged that he had, at the most, another quarter of an hour in which to waken - whom? He had no choice. Titus and Fuchsia alone knew of his return to the castle and that he lived in secret among the Hollow Halls.

       It was of course grotesquely out of the question either that Fuchsia should be disturbed or allowed within Steerpike's range. As for Titus, he was now almost grown to his full height. But he was of an odd highly strung nature - sullen and excitable by turns. Strong as need be for his years, he was more apt to have his energy sapped by the excess of his imagination than of his body. Flay did not understand him, but he trusted him, and he knew of how the boy's loathing of Steerpike had estranged him from Fuchsia. He had no doubt that Titus would join him, but he doubted for a moment his own courage to do so dangerous a thing as to draw the heir of Gormenghast within the circle of expected danger. Yet he knew that above all else it was his duty to unmask if possible his enemy, for upon so doing hung the safety of the young earl and all he symbolized. And what is more, he swore by the iron of his long muscles, and by the strong teeth in his bony head, that whatever danger might menace his own person, no harm would come to the boy.