84
Madox Ford F. The Soul of London. London: J.M. Dent, 1995 [1905]. P. 48.
Pugh E. The City of the World: A Book about London and the Londoner. London: T. Nelson, 1908. P. 39.
Burke T. Nights in Town: A London Autobiography. London: George Allen & Unwin, 1915. P. 25.
Keating P.J. The Working Classes in Victorian Fiction. London: Routledge & Kegan Paul, 1979. P. 33.
См.: Stedman Jones G. Outcast London: A Study in the Relationship between Classes in Victorian Society. Oxford: Oxford University Press, 1971.
Холланд-хаус – роскошный особняк в Кенсингтоне. Ледис-майл – дорога для экипажей в Гайд-парке. (Прим. пер.)
Nadel I.B. Gustave Dore: English Art and London Life // I.B. Nadel and F.S. Schwarzbach (eds). Victorian Artists and the City: A Collection of Critical Essays. N.Y.: Pergamon, 1980. P. 152. Также см.: Sandison A. Robert Louis Stevenson and the Appearance of Modernism: A Future Feeling. London: Macmillan, 1996. Pp. 224–225.
Samuel R. Comers and Goers // H.J. Dyos and M. Wolff (eds). The Victorian City: Images and Realities. Vol. I. London: Routledge, 1999. P. 125.
Ibid.
Квартал на востоке Лондона. (Прим. пер.)
Knight C. London. Vol. III. London: Virtue & Co., 1870. Pp. 49–50.
Williams M. QC, Round London. London: Macmillan, 1896. Pp. 74–75.
Armfeldt E. Oriental London // G. Sims (ed.). Living London. Vol. I. London: Cassell, 1906. P. 86.
Старое название Гуанчжоу. (Прим. ред.)
Ibid. Pp. 81–82.
Armfeldt E. Italy in London // G. Sims (ed.). Living London. P. 183.
Armfeldt E. Cosmopolitan London // G. Sims (ed.). Living London. P. 241.
Ibid.
Ibid. P. 247.
Burke. Nights in Town. P. 91.
Schneer J. London 1900: The Imperial Metropolis. New Haven: Yale University Press, 1999. P. 113.
См.: Tulloch C. Strawberries and Cream: Dress, Migration and the Quintessence of Englishness // C. Breward, B. Conekin and C. Cox (eds). The Englishness. Oxford: Berg, 2002. Pp. 61–76.
Burke. Nights in Town. P. 350.
Museum of London accession number 38.295.
Sala G. Twice Round the Clock. Houlston Wright. London, 1857. Pp. 175–182.
Knight C. London. Vol. V. London: Virtue & Co., 1870. P. 896.
Adburgham A. Shopping in Style. London: Thames & Hudson, 1979. Pp. 122–123.
Bailey P. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge, 1998. Pp. 200–206.
Sala G. London Up to Date. London: A. & C. Black, 1894. P. 248.
Mackenzie G. Marylebone: Great City North of Oxford Street. London: Macmillan, 1972. P. 93.
Booth C. Life and Labour of the People in London. Vol. I (reprint). N.Y.: Kelly, 1969. P. 182.
Ibid. P. 187.
Подробное описание условий жизни рабочих в швейной промышленности Лондона XIX в. см. в: Schmiechen J. Sweated Industries and Sweated Labour: The London Clothing Trades 1860–1914. Urbana, IL: University of Illinois Press, 1984; и Walkley C. The Ghost in the Looking Glass: The Victorian Seamstress. London: Peter Owen, 1981.
Museum of London accession number 2000.93a-c.
Cook E.T. Highways and Byways in London. London: Macmillan, 1911 (reprint). P. 294.
Автор цитирует сатирическую поэму Перси Биши Шелли «Питер Белл третий». (Прим. ред.)
Cook E.T. Highways and Byways in London. London: Macmillan, 1911 (reprint). P. 297.
Знаменитый пожар 1666 г., уничтоживший большую часть города. (Прим. пер.)
Nead L. From Alleys to Courts: Obscenity and the Mapping of Victorian London // New Formations. 1999. 37.
Pugh E. The City of the World: A Book about London and the Londoner. London: Thomas Nelson & Sons, 1908. Pp. 19–20.
Gordon C. Old Time Aldwych, The Kingsway and Neighbourhood. London: T. Fisher Unwin, 1903. P. 23.
Ibid. P. 213.
A Description of the Offices of The Strand Magazine // The Strand Magazine. IV. July – December 1892. Pp. 594–606.
Hollingshead J. Gaiety Chronicles. London: A. Constable, 1898. Pp. 7–13.
McQueen Pope W. Gaiety: Theatre of Enchantment. London: W.H. Allen, 1949. P. 384.
Maguire H. The Architectural Response // R. Foulkes (ed.). British Theatre in the 1890s. Cambridge: Cambridge University Press, 1992. P. 153.
McQueen Pope W. Carriages at Eleven: The Story of the Edwardian Theatre. London: Hutchinson & Co., 1947. P. 116.
Jacob N. Me and the Swans. London: Wm. Kimber & Co., 1963. P. 41.
McQueen Pope. Carriages. P. 119.
McCarthy J. Charing Cross to St Paul’s. London: Seeley & Co., 1893. Pp. 55–57.
Ibid. P. 79.
Письмо от представительницы Китти Лорд Хейзел Петиг в Музей Лондона. Коллекция одежды Музея Лондона.
Programmes for Salone Margherita, Napoli, 1910, Teatro Bellini, 1914 and Ambassadeurs, Paris (undated), Ephemera Collection, Museum of London.
Museum of London Accession Number 71.142/5a.
Museum of London Accession Number 71.142/6.
Museum of London Accession Number 71.142/3a.
Museum of London Accession Number 71.142/3b.
Museum of London Accession Number 71.142/2c.
Museum of London Accession Number 71.142/4a.
Museum of London Accession Number 71.142/4c.
Museum of London Accession Number 71.142/4d&e.
Museum of London Accession Number 71.142/1.
Booth M. Theatre in the Victorian Age. Cambridge: Cambridge University Press, 1991. Pp. 114–115.
Booth M. (ed.). Victorian Theatrical Trades: Articles from The Stage 1883–1884. The Society for Theatre Research. P. 13.
Ibid. P. 14.
Ibid. P. 16.
Ibid. P. 18.
Ibid. P. 19.
Ibid. Pp. 20–25.
Ibid. P. 1.
Ibid. P. 4.
Davis T. Actresses as Working Women: Their Social Identity in Victorian Culture. London: Routledge, 1991. Pp. 106–162.
Douglas J. Adventures in London. London: Cassell & Co., 1909. Pp. 50–52.
Davenport Adams W. A Book of Burlesque. London: Henry & Co., 1891. P. 219.
Allen R. Horrible Prettiness: Burlesque and American Culture. Chapel Hill: University of North Carolina Press, 1991. P. 96.
Ibid. Pp. 84–87.
Ibid. P. 123.
Ibid. P. 154.
Образ идеальной девушки, созданный американским иллюстратором Чарльзом Гибсоном, популярный на рубеже XIX и XX вв. (Прим. пер.)
Reiver B. Is Burlesque Art? London: J. Jeffery, 1880. Pp. 9–10.
Allen. Horrible Prettiness. P. 25.
Ibid.
См.: Stallybrass P., White A. The Politics and Poetics of Transgression. London, 1986.
Allen. Horrible Prettiness. P. 26.
Ibid. P. 107.
Mander R., Mitchenson J. Musical Comedy: A Story in Pictures. London: Peter Davies, 1969. P. 10.
Booth M. Victorian Spectacular Theatre. London: Routledge, 1981. P. 58.
Archer W. The Theatrical World of 1894. London: Walter Scott, 1895. Pp. 3–6.
Booth. Spectacular Theatre. P. 60.
Ibid. Pp. 89–90.
Short E. Fifty Years of Vaudeville. London: Eyre & Spottiswoode, 1946. P. 43.
Mander and Mitchenson. Musical Comedy. P. 13.
Ibid.
Archer. The Theatrical World. Pp. 59–60.
Mander and Mitchenson. Musical Comedy. P. 17.
Ibid. Pp. 18–19.
Bailey P. Naughty but Nice: Musical Comedy and the Rhetoric of the Girl 1892–1914 // M. Booth and J. Kaplan (eds). The Edwardian Theatre: Essays in Performance and the Stage. Cambridge: Cambridge University Press, 1996. Pp. 39–40. Также см.: Rappaport E. Shopping for Pleasure: Women in the Making of London’s West End. Princeton: Princeton University Press, 2000.
Bailey. Naughty but Nice. P. 55.
Borsa M. The English Stage of Today. London: John Lane, 1908. P. 7.
Ibid. P. 279.
Davis. Actresses. P. 161.
Collier C. Harlequinade: The Story of my Life. London: John Lane, 1929. Pp. 3–4.
Ibid. Pp. 60–61.
Ibid. P. 20.
Ibid. P. 69.
Свенгали – вымышленный герой романа Жоржа дю Морье «Трилби» (1895), эксплуатировавший талант юной певицы Трилби. (Прим. пер.)
McQueen Pope. Gaiety. P. 346.
Collier. Harlequinade. P. 110.
Davis. Actresses. P. 162.
Dark S. The Marie Tempest Birthday Book. London: Stanley Paul, 1914. P. 12.
Bolitho H. Marie Tempest. London: Cobden Sanderson, 1936. P. 89.
Ibid. P. 92.
Ibid. Pp. 90–91.
Ibid. P. 103.
Mrs Aria. Costume: Fanciful, Historical and Theatrical. London: Macmillan, 1906. Pp. 257–258.
Douglas. Adventures. P. 127.
Bolitho. Tempest. P. 150.
Davis. Actresses. P. 159.
Lady Wyndham, Charles Wyndham and Mary Moore. London: Private Printing, 1925. P. 243.
Ibid. P. 242.
Ibid. P. 245.
Ibid. P. 247.
Ibid. P. 242.
Lady Duff Gordon. Discretions and Indiscretions. London: Jarrolds, 1932. P. 48.
Vanbrugh I. To Tell My Story. London: Hutchinson & Co., 1948. P. 50; Etherington Smith M., Pilcher J. The It Girls. London: Hamish Hamilton, 1986. Pp. 55–87; Kaplan J., Stowell S. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge: Cambridge University Press, 1994.
Duff Gordon. Discretions. P. 65.
Davis. Actresses. Pp. 140–143.
Borsa. English Stage. P. 5.
