Madras, 1956.
Aiyangar, Srinivasa.Tamil Studies or Essays on History of the Tamil People, Language, Religion and Literature. Madras, 1914.
Aiyar, K. R. Subrahmanya. The Role of the Brahman in Andhradesa in the Eastern Chalukyan Period // Dr. S. Krishnaswami Aiyangar Commemoration Volume. Published by the Committee, 1936.
Aiyer, V. G. Ramakrishna.The Economy of a South Indian Temple. Annamalainagar, 1946.
Allen, Matthew Harp.Rewriting the Script for South Indian Dance // TDR (The Drama Review), Journal of Performance Studies, New York Univ., T 155, Volume 41 (3), Autumn 1997 (pp. 63–100).
Anandhi S.Representing Devadasis „Dasigal Mosavalai“ as a Radical Text (p. 233–257) // Ideals, Imagines and Real Lives: Women in Literature and History. Edited by Alice Thorner and Maithreyi Krishnaraj. Orient Longman Ltd., Mumbai, 2000.
Apffel-Marglin Frédérique.Refining the Body: Transformative Emotion in Ritual Dance // Divine Passions. The Social Construction of Emotion in India. Edited by Owen M. Lynch. University of California Press. Berkeley, Los Angeles, Oxford, 1990.
Aravamuthan T. G.South Indian Portrait in Stone and Metal. Asian Educational Services. New Delhi, Madras, 1988.
Arunachalam M.Elavanasur Inscriptions // South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.
–. Festivals of Tamil Nadu. Gandhi Vidyalayam. Tiruchitrambalam – Tanjavur District. 1980.
–. Temples of Tamilnadu // Temple India. Vivekananda Kendra Patrika.
Ayyar, P. V.Jagadisa. South Indian Customs. Asian Educational Services. New-Delhi, Madras, 1992.
Badrinath, Tulsi. Master of Arts: A Life in Dance. Gurgaon, Hachette Book Publishing India Pvt. Ltd. 2013.
Baierlein E. R.Land of Tamulians and Its Missions. Translated from the German by J. D. B. Gribble. Madras Civil Service. Higginbotham and Co., 1875.
Balasarasvati, T. Bharata Natyam // The Performing Arts. Marg Publications. Bombay, 1982.
Balasubramanyam S. R.Early Chola Temples. Parantaka I to Rajaraja I (A. D. 907–985). Orient Longman. Bombay, Calcutta, New Delhi, Madras. 1971.
–. Later Chola Temples. Kulottunga I to Rajendra III (A. D. 1070–1280). Mudgala Trust, 1979.
–. Middle Chola Temple. Rajaraja I to Kulottunga I (A. D. 985–1070). Thomson Press (India) Limited, 1975.
Balendusekharam, Sri Khandavalli.Nayaks of Tanjore. Andhra Pradesh Sahitya Akademi. Hyderabad, 1975.
Banerjea J. N.The Development of Hindu Iconography. Calcutta, 1956.
Bäumer Bettina.The Spiritual Dimension of Indian Art // Hindu Spirituality. Postclassical and Modern. Edited by K. R. Sundararajan and Bithika Mukerji. Vol. II. Motilal Banarsidass Publishers. Private Limited. Delhi, 2003.
Bermijn, Isabelle.An Investigation into the fifty-six Vināyakas in Banaras and their Origins. Thesis submitted for the Degree of Doctor of Philosophy of the University of London. September, 1999.
Bhavnani, Enakshi.The Dance in India. Bombay, 1984.
Boner Alice. Introduction in: शिल्पप्रकाश: Śilpa Prakāśa. Medieval Orissan Sanskrit Text on Temple Architecture by Rāmacandra Mahāpātra Kaula Bhaṭṭāraka. Introduction and Translation by Alice Boner and Sadāśiva Rath Śarmā. IGNCA, New Delhi, and Motilal Banarsidass Publishers PVT. LTD. Delhi, 2005.
Bor, Joep.Mamia, Ammani and other Bayaderes: Europe’s Portrayal of India’s Temple Dancers // Music and Orientalism in the British Empire, 1780s-1940s: Portrayal of the East. Edited by Martin Clayton and Bennett Zon. Ashgate Publishing Limited, 2007.
Branfoot, Crispin.The Tamil Gopura. From Temple Gateway to Global Icon // Ars Orientalis 45. Smithsonian Institution, Washington, D. C. 2015.
Brown, W. Norman.The Name of the Goddess Mīnākṣī „Fish-Eye“. Journal of the American Oriental Society. Vol. 67, No. 3 (Jul. – Sep., 1947), pp. 209–214.
Brunner Hélène.Maṇḍala and Yantra in the Siddhānta School of Śaivism: Definitions, Description and Ritual Use // Bühnemann, Gudrun. Maṇḍalas and Yantras in the Hindu Tradition. Leiden: Brill, 2003.
Buck C. H.Faiths, Fairs and Festivals of India. Thacker, Spink & Co. Calcutta, 1917.
Bühnemann G.Pūjā: A Study in Smārta Ritual. Vienna, 1988.
Bühnemann, Gudrun.Maṇḍala, Yantra and Cakra: Some Observations // Maṇḍalas and Yantras in the Hindu Tradition. Leiden: Brill, 2003.
Burrow T., Emeneau M. B.A Dravidian Etymological Dictionary. Clarendon Press, Oxford, 1984.
Catlin, Amy.„Vātāpi Gaņapatim“: Sculptural, Poetic, and Musical Texts in a Hymn to Gaņeśa // Ganesh: Studies of an Asian God. Editor Robert L. Brown. State University of New York Press, Albany, 1991.
Champakalakshmi R.The Hindu Temple. Roli Books, New Delhi, 2001.
Chandra, Satish.History of Architecture and Ancient Building Materials in India. Part I & II (in single volume). Tech Books International. New Delhi, 2003.
Chandramurty M.Dated Pandia Sculptures from Kilmattur // South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.
Chari T. V. R.The Glorious Temples of Kanchi. Sri Kanchi Kamakshi Ambal Devasthanam. Sarada Navarathri Kalai Nigazhchigal Trust (Regd.). Kancheepuram, 1987.
Chatterjee Roma (Ed.). India. Art and Architecture in Ancient and Medieval Periods. Publications Division. New Delhi, 2017.
Chauvelot Robert.Mysterious India: Its Rajahs, Its Brahmans, Its Fakirs. Translated by Eleanor Stimson Brooks. New York. The Century Co. 1921.
Chawla Anil.Devadasis – Sinners or Sinned Against. 2002. http://www.samarthbharat.com/.
Choudhury, P. C. Roy.Templess and Legends of Bengal. Gen Ed. K. M. Munshi, R. R. Diwakar. Bharatiya Vidya Bhavan. Bombay, 1967.
Clark-Decès Isabelle. From Wasteland to Bus Stand. The Relocation of Demons in Tamilnadu // Tamil Geographies. Cultural Constructions of Space and Place in South India. Edited by Martha Ann Selby, Indira Viswanathan Peterson. State University of New York Press, 2008.
Classical Telugu Poetry. An Anthology. Translated, edited and with an Introduction by Velcheru Narayana Rao and David Shulman. University of California Press, Berkeley, Los Angeles, London, 2002.
Coomaraswamy A. K.The Dance of Shiva. New York: The Sunwise Turn, Inc, 1924 (1st published 1918).
–. The Origin and Use of Images in India // Temple India. Vivekananda Kendra Patrika.
–. The Transformation of Nature in Art. Originally published by Harvard University Press, Cambridge, republished by South Asia Books, 1934/1994.
–. Yakṣas. Part I. New Delhi, Munshiram Manoharlal Publishers Pvt. Ltd., 2001.
–. Yakṣas. Part II. Smithsonian Institution. Freer Gallery of Art, Washington D. G., 1931.
Courtright, Paul B.Gaņeśa: Lord of Obstacles, Lord of the Beginnings. New York, Oxford. Oxford University Press, 1985.
Cutler, Norman.Songs of Experience: The Poetics of Tamil Devotion. Indiana University Press, 1987.
Dalayan D.The Temples of Kanchipuram // Heritage of the Tamils Temple Arts. Ed. S. V. Subramanian, G. Rajendran. Madras. International Institute of Tamil Studies. 1985.
Damodaran K.New Light on Thiruvenkadu Nataraja Bronze // South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.
Dances of the Golden Hall. Bombay, 1979.
Dandekar Sarala.Dance Carved in Stone: An Investigation of the Contemporary Presentation of Odissi Dance. A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the
